REVIEWS
Cinema, Blu-ray/4K, Streaming and VOD Releases - Reviewed By Fans For Fans
DIRECTOR’S CUT
A struggling rock band takes up an offer for a music video that seems to be good to be true. Is there a catch? Of course there is.
THE FRONT ROOM
Brandy Norwood returns to the big screen in Sam and Max Eggers' directorial debut about an old racist woman with dark intentions for her unborn grandchild.
JOKER: FOLIE À DEUX
JOKER: FOLIE À DEUX is a daring sequel that delves into Arthur Fleck's trial, and questions the cult of celebrity while defying the usual blockbuster formula. Despite its striking musical numbers and bleak, thought-provoking narrative, the film has been divisive, receiving harsh criticism while standing out as a bold, unconventional follow-up.
SALEM’S LOT
SALEM'S LOT - After two years of sitting on the shelf, Warner Bros quietly released the latest take on Stephen King’s vampire classic out into the wild.
TERRIFIER 3
TERRIFIER 3 - Art the Clown returns in the eagerly awaited sequel. Is it one of the goriest films ever made or is this more of the usual hype?
THINGS WILL BE DIFFERENT
Lo-fi time travel with a doom laden edge as a brother and sister on the run from the law only to find themselves stranded in a timeless limbo in Michael Felker’s intriguing debut.
HELLBOY: THE CROOKED MAN
Hellboy returns to the screen in this pared down entry that manages to impress with its fidelity to the comics that made his name.
NEVER LET GO
Halle Berry and Alexandre Aja team up to take on a certain kind of evil lurking in the woods.
MEGALOPOLIS
Francis Ford Coppola’s long awaited passion project finally arrives onscreen. Is this a messy masterpiece or just another Megaflopolis?
SPEAK NO EVIL
Does this English language remake from Blumhouse dare to go as dark as the harrowing Danish original?
BEETLEJUICE BEETLEJUICE
So…a BEETLEJUICE sequel? No rational person would want it to be terrible or treat its arrival with the dread you would normally reserve after a 12 week scan confirms your partner to be pregnant with the Antichrist. Great news: as soon as the monochrome Warner Bros. logo has faded away and the unmistakeable Danny Elfman title theme kicks in, you can relax: we’re in safe hands.
STARVE ACRE
Morfydd Clark and Matt Smith find themselves trapped in a pleasingly evocative and disturbing folk horror.