Tom Carlisle delivers a slow-burning but effective body horror that sees trouble emerge in Scottish Highlands.

Halle Berry and Alexandre Aja team up to take on a certain kind of evil lurking in the woods.

Does this English language remake from Blumhouse dare to go as dark as the harrowing Danish original?

Curry Barker makes an instant name for himself with this zero budget YouTube sensation.

It all begins with an idea.

In this remake of the 1956 sci-fi classic, Donald Sutherland plays Matthew Bennell, a health inspector who puts his colleague Elizabeth (Brooke Adams) in touch with his psychiatrist friend Dr. Kibner (Leonard Nimoy) after her boyfriend Geoffrey (Art Hindle) starts to act distant around her. At the same time, Matthew’s friend Jack (Jeff Goldblum) and his wife Nancy (Veronica Cartwright) discover a body that bears a resemblance to Jack but still appears to be growing, even displaying the same nosebleed that Jack has. Something strange is in the air…

Released as HAUTE TENSION in its native France in summer 2003, Alexandra Aja’s calling card modern slasher enjoyed huge festival buzz en route to its U.K. release as SWITCHBLADE ROMANCE and (censored) U.S. bow as HIGH TENSION. This intense, stripped-down cat-and-mouse game between brutish, relentless killer Philippe Nahon and repressed, resilient Cecile de France heralded a cycle of “extreme”, ultra-violent French horror films that would peak with the despairing MARTYRS in 2008. These, of course, ran parallel to America’s own post-9/11 hard-R splatter movie trend, itself including Aja’s Hollywood debut – a savage reworking of THE HILLS HAVE EYES.